Dr. Thomas Bookhout — Chorus Master
Now in his ninth year with The Phoenix Symphony, Chorus Master Thomas Bookhout brings to The Phoenix Symphony Chorus a vast experience in the choral art, preparing and conducting symphony, opera, university, community, school, and church choruses.
He has prepared the Symphony Chorus on its widely varied and challenging masterworks repertoire, such as Mozart’s and Verdi’s Requiems, Poulenc’s Gloria, Kodaly’s Psalmus Hungaricus, Estévez’s Cantata Criolla, Pärt’s In Principio, Orff’s Carmina Burana, Beethoven’s Symphony No. 9, and Handel’s Messiah; as well as for exciting performances in the Symphony’s Pops series. The Symphony Chorus grew 40% during his tenure, and enjoys a reputation for stunning performances, engaging rehearsals, and inspiring camaraderie.
Bookhout has conducted The Phoenix Symphony Chorus in performances of its own in Phoenix, at Carnegie Hall, in Vienna and Salzburg, and in Poland. His work preparing and conducting the Chorus on Poulenc’s Gloria in Vienna was hailed as “stimulating and … breathtaking.” In 2015, he led the Chorus in the world-premiere of Dan Forrest’s Psalm of Ascension for chorus and orchestra in New York City’s Carnegie Hall.
Previously, Bookhout was Chorus Master for the West Virginia Symphony Orchestra, where he prepared its chorus for symphonic performances, including Britten’s War Requiem, Vaughan Williams’s Sea Symphony, and Walton’s Belshazzar’s Feast; and for fully staged operas including Carmen, Il Trovatore, and Die Fledermaus, earning notable reviews in the American Record Guide and Opera News.
Bookhout teaches music and fine arts at Anthem Preparatory Academy. He is the former Director of Performing Arts and Associate Professor of Music at Ottawa University Arizona. He also was Choir Director at Camelback Bible Church, Music Director of the Taghkanic Chorale, Director of Choral Activities at the University of Charleston, WV, and Director of Music at The Stony Brook School in New York.
Dr. Bookhout earned his advanced degrees at the Eastman School of Music at the University of Rochester and Arizona State University. His teachers and coaches have included Donald Neuen, Donald Bailey, Alfred Mann, Samuel Adler, David Stocker, Eric Nelson, Joseph Flummerfelt, Frauke Haaseman, and Dale Warland. He has served on the executive board of the AZ ACDA; and is a member of numerous professional organizations, including NATS, ACDA, NAfME, Phi Kappa Phi, Pi Kappa Lambda, and Southwest Liederkranz.
Tom and his wife’s family includes three adult children, two sons-in-law, and an ever-increasing number of perfect grandchildren.
Larry Loeber — Collaborative Pianist
A native of Ohio, Lawrence is currently in his 16th season as freelance principal pianist for The Phoenix Symphony, and has also been a member of the Arizona Musicfest orchestra for the past six seasons. He has appeared as soloist in Gershwin’s “Rhapsody in Blue” with both of these orchestras. He has been heard frequently in Ballet Arizona collaborations with The Phoenix Symphony, most notably as featured soloist for Mozart’s “Twinkle, Twinkle, Little Star” variations and Stravinsky’s “Movements for Piano and Orchestra”. He also fondly recalls his stint as kazoo soloist in The Phoenix Symphony’s performances of Michael Daugherty’s “March of the Metro”.
Lawrence’s CD recordings include “Grace Notes”, featuring a variety of solo piano concert music; and “Someone to Watch” with soprano Jenn Raithel Newman. Lawrence’s love of language study led him to an undergraduate degree in German from Case Western Reserve University and a master’s degree in Chinese Linguistics from The Ohio State University. He has been the rehearsal pianist for The Phoenix Symphony Chorus for the past fourteen seasons. He maintains a private piano studio in Scottsdale.
Paula Strano Isobe
Kelsey Ishimatsu Jacobson